台湾当代画家

徐明义六六风华画集7 四季图之三 :秋(彩墨)

徐明义
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我认为山水画用什么稀奇古怪的色彩来展现一座山、一片树林,都没有什么问题,可以随心所欲地画去,不必拘泥,顾虑太多反而画不好。

有些山远看清淡得很,愈近愈浓,呈蓝色或黑色,再更近去看就有墨绿或浅黄等不同的层次,变化万端。山雨欲来时有些山峰竟成紫灰色或红黛色,看到这些如此这般幻化万千的色彩,画画的人为什么要视而不见呢?张开眼睛不都是色彩缤纷的世界吗?所以我大胆的使用各种色彩来画山山水水,展现自我蕴藏于内心深处的丘丘壑壑,提醒自己要忠于这个世界色彩缤纷、幻化万端的特质。

Four Seasons Pictures III:Fall / ink and color painting 四季图之三:秋(彩墨

I have no problem with using any strange colors to portray mountains and forests in my landscape paintings. I believe in painting as I wish, without any formal constraints. I believe that thinking too much will even hurt one’s painting.

Some mountains appear dull-colored from far away, but blue or black from a closer viewpoint, and assume shades of dark green and pale yellow, etc. close-up. There is tremendous variation in the colors of mountains. When rain is falling, some peaks appear purplish-gray or reddish-black. Why is it that painters often fail to appreciate these kaleidoscopic, ever-changing colors? When we open our eyes, his is not an endlessly colorful world? I personally try to be bold in my use of colors when making landscape paintings. I always remind myself to be loyal to this world’s dazzling, endlessly-changing colors when I portray the mountains and valleys that lurk in the depths of my heart. @

责任编辑:周怡秀

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