藝壇博覽

困知勉行—徐明義畫集8—空翠濕人衣(彩墨)

困知勉行—徐明義畫集8—空翠濕人衣(彩墨)。75×72cm。(局部)。(圖片來源:徐明義提供)

空翠濕人衣(彩墨)

這幅畫的細碎墨點純是以毛巾沾墨慢慢拍打而成;樹木則用樹枝樹葉拍印而成。

我常想,台灣青翠的山巒和一般傳統水墨畫裡荒寂的山脈是有那麼大的不同。但要怎麼畫才能表現出我們所習見的那種青翠、綠意盎然、鋪滿植被的大小山巒及溪壑澗谷呢?

墨點法不失為一種好的方法。

困知勉行—徐明義畫集8—空翠濕人衣(彩墨)。75×72cm。(圖片來源:徐明義提供)

Cloth wet by rain/ink and color painting

The painting’s broken bits ink spot is made by slowly patting a towel with ink. The trees are patted with branches and leaves.

I usually think that Taiwan’s verdant mountains are so different from those lonely mountains drew in traditional ink and wash painting. How to draw the paintings to show that we have seen the verdant, greenery, small and big mountains covered with vegetation, rivers and valleys? Dotting ink method is a good one.@

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責任編輯:昌英