困知勉行—徐明义画集8—仙境（彩墨）

仙境（彩墨）

以前台北有一位知名的画家，他一辈子都在画张大千的画。画出来的画和张大千几乎没有两样，他也以身为张氏门生自豪。于是就有人说了：“看这人的画还不如直接看张大千的画。”这就是囿于前人、困于师承，不去创新的结果，只能以“不长进”来形容。

刘海粟先生上黄山怕不止十次二十次吧，可是他说：“入了黄山，也要能跳出黄山，否则格局被限制，变化不多，开起画展来，一挂几十幅，大同小异，很难拨动观众的心弦。”

这话真的是有远见且亘古不变的真理。

Wonderland/ink and color painting

Once upon a time, there was a well-known painter in Taipei who devoted himself entire life to draw Zhang Da qian’s paintings. Almost the paintings he drew had no difference with Zhang Da qian’s paintings, he was also so proud of being a student of Zhang. Someone, therefore, said: “It is rather to look Zhang Da qian’s paintings directly.” This is the result of being restricted and trapped by our predecessors’ or teachers’ teaching but leave innovation behind and even ignore it, only “no progress being made” can be described under this circumstance. Mr. Liu Hai su has been visiting Mount Huangshan more than ten or twenty times before but he said: ” Walk in Huangshan, we must be able to jump out of Huangshan, otherwise, your drawing pattern will be limited and restricted, without various changes and less differences, even dozens of paintings are displayed in painting exhibition, it is difficult to get audiences touched. ”

What a word of foresight and the everlasting truth.@

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