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困知勉行—徐明义画集8—空翠湿人衣(彩墨)

困知勉行—徐明义画集8—空翠湿人衣(彩墨)。75×72cm。(局部)。(图片来源:徐明义提供)

空翠湿人衣(彩墨)

这幅画的细碎墨点纯是以毛巾沾墨慢慢拍打而成;树木则用树枝树叶拍印而成。

我常想,台湾青翠的山峦和一般传统水墨画里荒寂的山脉是有那么大的不同。但要怎么画才能表现出我们所习见的那种青翠、绿意盎然、铺满植被的大小山峦及溪壑涧谷呢?

墨点法不失为一种好的方法。

困知勉行—徐明义画集8—空翠湿人衣(彩墨)。75×72cm。(图片来源:徐明义提供)

Cloth wet by rain/ink and color painting

The painting’s broken bits ink spot is made by slowly patting a towel with ink. The trees are patted with branches and leaves.

I usually think that Taiwan’s verdant mountains are so different from those lonely mountains drew in traditional ink and wash painting. How to draw the paintings to show that we have seen the verdant, greenery, small and big mountains covered with vegetation, rivers and valleys? Dotting ink method is a good one.@

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责任编辑:昌英