困知勉行—徐明义画集8—临渊（彩墨）
临渊临渊（彩墨）
五代‧荆浩尝语人曰：“吴道子画山水，有笔无墨，项容有墨无笔，吾当采二子之所长，成一家之体。”
依我之浅见，荆浩说吴道子“有笔无墨”，似乎是指吴道子专在人物线描上做功夫，有所谓“吴带当风”的线条美，但欠缺墨色墨趣的韵致。至于说项容“有墨无笔”却又只见墨色之泼洒，淋漓满纸，但没什么笔趣。依荆浩之意，两者得兼最好。
应该是这样来看待。
Approaching pond/ink and color painting
Jing Hao tong of the Five Dynasties talked to someone: “Wu Dao zi drew landscapes painting with pen without ink, Shang Lon, who has ink but no pen, I should take both their merits and make my own style”.
From my humble point of view, Jing Hao pointed out Wu Dao zi “pen without ink” and it seemed to mean Wu Dao-zi is specialized in drawing characters’ line and has earned the beauty of the so-called “Wu’s cloth band as the wind” but lack of the charm of using ink. As for saying Shang Lon “ink without pen”, we can only see his feature of splash ink spreading whole paper but lack of the interest of using pen. According to the Jing Hao’s intention that it is better to get them both.
Which I believe it is the best way to be considered.@
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责任编辑：昌英
